Monday, October 20, 2008

William Faulkner


1. “All of us failed to match our dreams of perfection. So I rate us on the basis of our splendid failure to do the impossible.”
2. "Always dream and shoot higher than you know how to. Don't bother just to be better than your contemporaries or predecessors. Try to be better than yourself."
3. "A man's moral conscience is the curse he had to accept from the gods in order to gain from them the right to dream."
4. “An artist is a creature driven by demons. He don't know why they chose him and he's usually too busy to wonder why. He is completely amoral in that he will rob, borrow, beg, or steal from anybody and everybody to get the work done.”
5. “And so when Cora Tull would tell me I was not a true mother, I would think how words go straight up in a thin line, quick and harmless, and how terribly doing goes along the earth, clinging to it, so that after a while the two lines are too far apart for the same person to straddle from one to the other; and that sin and love and fear are just sounds that people who never sinned nor loved nor feared have for what they never had and cannot have until they forgot the words. Like Cora, who could never even cook.”
6. “A writer is congenitally unable to tell the truth and that is why we call what he writes fiction.”
7. “A writer needs three things, experience, observation, and imagination, any two of which, at times any one of which, can supply the lack of the others.”
8. “Between grief and nothing I will take grief.”
9. “But above all, the courthouse: the center, the focus, the hub; sitting looming in the center of the county's circumference like a single cloud in its ring of horizon, laying its vast shadow to the uttermost rim of horizon; musing, brooding, symbolic and ponderable, tall as cloud, solid as rock, dominating all: protector of the weak, judiciate and curb of the passions and lusts, repository and guardian of the aspirations and hopes....”
10. “But after all memory could live in the old wheezing entrails: and now it did stand to his hand, incontrovertible and plain, serene, the palm clashing and murmuring dry and wild and faint and it the night but he could face it, thinking. Not could. Will. I want to. So it is the old meat after all, no matter how old. Because if memory exists outside of the flesh it wont be memory because it wont know what it remembers so when she became not then half of memory became not and if I become not then all of remembering will cease to be. Yes he thought. Between grief and nothing I will take grief"
11. “Clocks slay time... time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life.”
12. “Facts and truth really don't have much to do with each other.”
13. “Given the choice between the experience of pain and nothing, I would choose pain.”
14. "He had a word, too. Love, he called it. But I had been used to words for a long time. I knew that that word was like the others: just a shape to fill a lack that when the right time came, you wouldn't need a word for that anymore than for pride or fear."
15. "He (man) is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance."
16. “I believe that man will not merely endure; he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.”
17. “I'm a failed poet. Maybe every novelist wants to write poetry first, finds he can't and then tries the short story which is the most demanding form after poetry. And failing at that, only then does he take up novel writing.”
18. “I can remember how when I was young I believed death to be a phenomenon of the body; now I know it to be merely a function of the mind—and that of the minds who suffer the bereavement. The nihilists say it is the end; the fundamentalists, the beginning; when in reality it is no more than a single tenant or family moving out of a tenement or a town.”
19. “I decline to accept the end of man. It is easy enough to say that man is immortal simply because he will endure: that when the last ding-dong of doom has clanged and faded from the last worthless rock hanging tideless in the last red and dying evening, that even then there will still be one more sound: that of his puny inexhaustible voice, still talking. I refuse to accept this. I believe that man will not merely endure: he will prevail. He is immortal, not because he alone among creatures has an inexhaustible voice, but because he has a soul, a spirit capable of compassion and sacrifice and endurance.”
20. “I don't care much for facts, am not much interested in them, you cant stand a fact up, you've got to prop it up, and when you move to one side a little and look at it from that angle, it's not thick enough to cast a shadow in that direction.”
21. “I like to think of the world I created as being a kind of keystone in the universe; that, small as the keystone is, if it were ever taken away the universe itself would collapse.”
22. “I never know what I think about something until I read what I've written on it.”
23. ”No man can cause more grief than that one clinging blindly to the vices of his ancestors.”
24. "One of the saddest things is that the only thing that a man can do for eight hours a day, day after day, is work. You can't eat eight hours a day nor drink for eight hours a day nor make love for eight hours - all you can do for eight hours is work. Which is the reason why man makes himself and everybody else so miserable and unhappy."
25. “Our tragedy is a general and universal physical fear so long sustained by now that we can even bear it... the basest of all things is to be afraid.”
26. "People between twenty and forty are not sympathetic. The child has the capacity to do but it can't know. It only knows when it is no longer able to do --after forty. Between twenty and forty the will of the child to do gets stronger, more dangerous, but it has not begun to learn to know yet. Since his capacity to do is forced into channels of evil through environment and pressures, man is strong before he is moral. The world's anguish is caused by people between twenty and forty."
27. “People need trouble -- a little frustration to sharpen the spirit on, toughen it. Artists do; I don't mean you need to live in a rat hole or gutter, but you have to learn fortitude, endurance. Only vegetables are happy.”
28. “Read, read, read. Read everything - trash, classics, good and bad, and see how they do it. Just like a carpenter who works as an apprentice and studies the master. Read! You'll absorb it. Then write. If it is good, you'll find out. If it's not, throw it out the window.”
29. “That was when I learned that words are no good; that words dont ever fit even what they are trying to say at."
30. “The aim of every artist is to arrest motion, which is life, by artificial means and hold it fixed so that a hundred years later, when a stranger looks at it, it moves again since it is life. Since man is mortal, the only immortality possible for him is to leave something behind him that is immortal since it will always move. This is the artist's way of scribbling "Kilroy was here" on the wall of the final and irrevocable oblivion through which he must someday pass.”
31. “The best job that was ever offered to me was to become a landlord in a brothel. In my opinion it's the perfect milieu for an artist to work in.”
32. “The end of wisdom is to dream high enough to lose the dream in the seeking of it.”
33. "The man who removes a mountain begins by carrying away small stones."
34. "The past is never dead. It's not even past."
35. “[The writer] must teach himself that the basest of all things is to be afraid: and, teaching himself that, forget it forever, leaving no room in his workshop for anything but the old verities and truths of the heart, the universal truths lacking which any story is ephemeral and doomed—love and honor and pity and pride and compassion and sacrifice.”
36. “[T]he young man or woman writing today has forgotten the problems of the human heart in conflict with itself which alone can make good writing because only that is worth writing about, worth the agony and the sweat.”
37. “Time is dead as long as it is being clicked off by little wheels; only when the clock stops does time come to life.”
38. “When my horse is running good, I don't stop to give him sugar.”