Wednesday, July 23, 2008

W.H. Auden


1. “A daydream is a meal at which images are eaten. Some of us are gourmets, some gourmands, and a good many take their images precooked out of a can and swallow them down whole, absent-mindedly and with little relish.”
2. "A doctor, like anyone else who has to deal with human beings, each of them unique, cannot be a scientist; he is either, like the surgeon, a craftsman, or, like the physician and the psychologist, an artist. This means that in order to be a good doctor a man must also have a good character, that is to say, whatever weaknesses and foibles he may have, he must love his fellow human beings in the concrete and desire their good before his own."
3. "A false enchantment can all too easily last a lifetime."
4. “Algebra reverses the relative importance of the factors in ordinary language. It is essentially a written language, and it endeavors to exemplify in its written structures the patterns which it is its purpose to convey. The pattern of the marks on paper is a particular instance of the pattern to be conveyed to thought. The algebraic method is our best approach to the expression of necessity, by reason of its reduction of accident to the ghostlike character of the real variable.”
5. "All poets adore explosions, thunderstorms, tornadoes, conflagrations, ruins, scenes of spectacular carnage. The poetic imagination is therefore not at all a desirable quality in a chief of state."
6. “All sins tend to be addictive, and the terminal point of addiction is damnation.”
7. “All the possibilities
It had to reject are
What give life and warmth to
An actual character;
The roots of wit and charm tap
Secret springs of sorrow,
Every brilliant doctor
Hides a murderer.”
8. “All works of art are commissioned in the sense that no artist can create one by a simple act of will but must wait until what he believes to be a good idea for a work "comes" to him.”
9. “Among those whom I like or admire, I can find no common denominator, but among those whom I love, I can: all of them make me laugh.”
10. “Apart from blunt truth, our lives sink decadently amid the perfume of hints and suggestions.”
11. ”A poet is, before anything else, a person who is passionately in love with language."
12. “A real book is not one that we read, but one that reads us.”
13. “As I walked out one evening,
Walking down Bristol Street,
The crowds upon the pavement
Were fields of harvest wheat.

And down by the brimming river
I heard a lover sing
Under an arch of the railway:
"Love has no ending.

"I'll love you, dear, I'll love you
Till China and Africa meet
And the river jumps over the mountain
And the salmon sing in the street.

"I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.

"The years shall run like rabbits
For in my arms I hold
The Flower of the Ages
And the first love of the world."

But all the clocks in the city
Began to whirr and chime:
"O let not Time deceive you,
You cannot conquer Time.

"In the burrows of the Nightmare
Where Justice naked is,
Time watches from the shadow
And coughs when you would kiss.

"In headaches and in worry
Vaguely life leaks away,
And Time will have his fancy
To-morrow or to-day.

"Into many a green valley
Drifts the appalling snow;
Time breaks the threaded dances
And the diver's brilliant bow.

"O plunge your hands in water,
Plunge them in up to the wrist;
Stare, stare in the basin
And wonder what you've missed.

"The glacier knocks in the cupboard,
The desert sighs in the bed,
And the crack in the tea-cup opens
A lane to the land of the dead.

"Where the beggars raffle the banknotes
And the Giant is enchanting to Jack,
And the Lily-white Boy is a Roarer
And Jill goes down on her back.

"O look, look in the mirror,
O look in your distress;
Life remains a blessing
Although you cannot bless.

"O stand, stand at the window
As the tears scald and start;
You shall love your crooked neighbour
With your crooked heart."

It was late, late in the evening,
The lovers they were gone;
The clocks had ceased their chiming
And the deep river ran on.”
14. "A society which really was like a poem and embodied all the esthetic values of beauty, order, economy, subordination of detail to the whole effect, would be a nightmare of horror, based on selective breeding, extermination of the physically or mentally unfit, absolute obedience to its Director, and a large slave class kept out of sight in cellars."
15. “At last the secret is out, as it always must come in the end,
The delicious story is ripe to tell to the intimate friend;
Over the tea-cups and in the square the tongue has its desire;
Still waters run deep, my dear, there's never smoke without fire.”
16. ”Between the ages of twenty and forty we are engaged in the process of discovering who we are, which involves learning the difference between accidental limitations which it is our duty to outgrow and the necessary limitations of our nature beyond which we cannot trespass with impunity.”
17. "Choice of attention - to pay attention to this and ignore that - is to the inner life what choice of action is to the outer. In both cases, a man is responsible for his choice and must accept the consequences, whatever they may be."
18. "Every autobiography is concerned with two characters, a Don Quixote, the Ego, and a Sancho Panza, the Self."
19. “Evil is unspectacular and always human, and shares our bed and eats at our own table.”
20. “Fame often makes a writer vain, but seldom makes him proud.”
21. "Faust is damned, not because he has sinned, but because he made a pact with the Devil, that is, like a poet he planned a life of sin beforehand."
22. “Fundamental progress has to do with the reinterpretation of basic ideas.”
23. “Geniuses are the luckiest of mortals because what they must do is the same as what they most want to do.”
24. “Half the literature, highbrow and popular, produced in the West during the past four hundred years has been based on the false assumption that what is an exceptional experience is or ought to be a universal one. Under its influence so many millions of persons have persuaded themselves they were 'in love' when their experience could be fully and accurately described by the more brutal four-letter words, that one is sometimes tempted to doubt if the experience is ever genuine, even when, or especially when, it seems to have happened to oneself.”
25. “He was my North, my South, my East and West,
My working week and Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever: I was wrong.”
26. “I cannot accept the doctrine that in poetry there is a "suspension of belief." A poet must never make a statement simply because it is sounds poetically exciting; he must also believe it to be true.”
27. “If all a top physicist knows
About the Truth be true,
Then, for all the so-and-so's,
Futility and grime,
Our common world contains,
We have a better time
Than the Greater Nebulae do,
Or the atoms in our brains.

Marriage is rarely bliss
But, surely it would be worse
As particles to pelt
At thousands of miles per sec
About a universe
Wherein a lover's kiss
Would either not be felt
Or break the loved one's neck.

Though the face at which I stare
While shaving it be cruel
For, year after year, it repels
An ageing suitor, it has,
Thank God, sufficient mass
To be altogether there,
Not an indeterminate gruel
Which is partly somewhere else.

Our eyes prefer to suppose
That a habitable place
Has a geocentric view,
That architects enclose
A quiet Euclidian space:
Exploded myths - but who
Could feel at home astraddle
An ever expanding saddle?

This passion of our kind
For the process of finding out
Is a fact one can hardly doubt,
But I would rejoice in it more
If I knew more clearly what
We wanted the knowledge for,
Felt certain still that the mind
Is free to know or not.

It has chosen once, it seems,
And whether our concern
For magnitude's extremes
Really become a creature
Who comes in a median size,
Or politicizing Nature
Be altogether wise,
Is something we shall learn.”
28. “I'll love you till the ocean
Is folded and hung up to dry
And the seven stars go squawking
Like geese about the sky.”
29. “In general, when reading a scholarly critic, one profits more from his quotations than from his comments.”
30. "In the course of many centuries a few labor-saving devices have been introduced into the mental kitchen--alcohol, coffee, tobacco, benzedrine--but these mechanisms are very crude, liable to injure the cook, and constantly breaking down. Writing poetry in the twentieth century A.D. is pretty much the same as it was in the twentieth century B.C.: nearly everything has still to be done by hand."
31. “In the study of ideas, it is necessary to remember that insistence on hard-headed clarity issues from sentimental feeling, as it were a mist, cloaking the perplexities of fact. Insistence on clarity at all costs is based on sheer superstition as to the mode in which human intelligence functions. Our reasonings grasp at straws for premises and float on gossamers for deductions.”
32. “In things to be seen at once, much variety makes confusion, another vice of beauty. In things that are not seen at once, and have no respect one to another, great variety is commendable, provided this variety transgress not the rules of optics and geometry.”
33. “It is already possible to imagine a society in which the majority of the population, that is to say, its laborers, will have almost as much leisure as in earlier times was enjoyed by the aristocracy. When one recalls how aristocracies in the past actually behaved, the prospect is not cheerful.”
34. “It is a sad fact about our culture that a poet can earn much more money writing or talking about his art than he can by practicing it.”
35. “It is more important that a proposition be interesting than that it be true. This statement is almost a tautology. For the energy of operation of a proposition in an occasion of experience is its interest and is its importance. But of course a true proposition is more apt to be interesting than a false one.”
36. “It takes little talent to see what lies under one's nose, a good deal to know in what direction to point that organ.”
37. “I will not go so far as to say that to construct a history of thought without profound study of the mathematical ideas of successive epochs is like omitting Hamlet from the play which is named after him. That would be claiming too much. But it is certainly analogous to cutting out the part of Ophelia. This simile is singularly exact. For Ophelia is quite essential to the play, she is very charming ... and a little mad.”
38. “Let mortals beware
Of words, for
With words we lie,
Can we say peace
When we mean war,
Foul thoughts speak fair
And promise falsely.”
39. “Man is a history-making creature who can neither repeat his past nor leave it behind.”
40. "Narcissus does not fall in love with his reflection because it is beautiful but because it is like himself."
41. “"Necessity is the mother of invention" is a silly proverb. "Necessity is the mother of futile dodges" is much nearer the truth.”
42. “Nobody can honestly think of himself as a strong character because,however successful he may be in overcoming them, he is necessarily aware of the doubts and temptations that accompany every important choice.”
43. ”No good opera plot can be sensible:... people do not sing when they are feeling sensible.”
44. “No hero is immortal till he dies.”
45. "No human being is innocent, but there is a class of innocent human actions called Games."
46. “No poet or novelist wishes he were the only one who ever lived, but most of them wish they were the only one alive, and quite a number fondly believe their wish has been granted.”
47. “"One and one make two" assumes that the changes in the shift of circumstance are unimportant. But it is impossible for us to analyze this notion of unimportant change.”
48. “One sign that a book has literary value is that it can be read in a number of different ways.”
49. “Perhaps there is only one cardinal sin: impatience. Because of impatience we were driven out of Paradise, because of impatience we cannot return.”
50. “Poetry makes nothing happen. It survives in the valley of its saying.”
51. “Proper names are poetry in the raw. Like all poetry they are untranslatable.”
52. ”Rhymes, meters, stanza forms, etc., are like servants. If the master is fair enough to win their affection and firm enough to command their respect, the result is an orderly happy household. If he is too tyrannical, they give notice; if he lacks authority, they become slovenly, impertinent, drunk and dishonest.”
53. “Seek simplicity, and distrust it.”
54. "Some books are undeservedly forgotten; none are undeservedly remembered."
55. “Some writers confuse authenticity, which they ought always to aim at, with originality, which they should never bother about.”
56. “Stop all the clocks, cut off the telephone,
Prevent the dog from barking with a juicy bone,
Silence the pianos and with muffled drum
Bring out the coffin, let the mourners come.

Let aeroplanes circle moaning overhead
cribbling on the sky the message He Is Dead.
Put crepe bows round the white necks of public doves,
Let the traffic policemen wear black cotton gloves.

He was my North, my South, my East and West.
My working week and my Sunday rest,
My noon, my midnight, my talk, my song;
I thought that love would last forever; I was wrong.

The stars are not wanted now: put out every one;
Pack up the moon and dismantle the sun;
Pour away the ocean and sweep up the wood;
For nothing now can ever come to any good.”
57. “The center that I cannot find is known to my unconscious mind.”
58. “The ear tends to be lazy, craves the familiar, and is shocked by the unexpected: the eye, on the other hand, tends to be impatient, craves the novel and is bored by repetition.”
59. "The masculine imagination lives in a state of perpetual revolt against the limitations of human life. In theological terms, one might say that all men, left to themselves, become Gnostics. They may swagger like peacocks, but in their heart of hearts they all think sex an indignity and wish they could beget themselves on themselves. Hence the aggressive hostility towards women so manifest in most club-car stories."
60. “The progress of Science consists in observing interconnections and in showing with a patient ingenuity that the events of this ever-shifting world are but examples of a few general relations, called laws. To see what is general in what is particular, and what is permanent in what is transitory, is the aim of scientific thought.”
61. “There's only one good test of pornography. Get twelve normal men to read the book, and then ask them, "Did you get an erection?" If the answer is "Yes" from a majority of the twelve, then the book is pornographic.”
62. “The words of a dead man are modified in the guts of the living.”
63. “Through and through the world is infested with quantity: To talk sense is to talk quantities. It is not use saying the nation is large .. How large? It is no use saying the radium is scarce ... How scarce? You cannot evade quantity. You may fly to poetry and music, and quantity and number will face you in your rhythms and your octaves.”
64. “Those who hate to go to bed fear death; those who hate to get up fear life.”
65. “Those who will not reason
Perish in the act:
Those who will not act
Perish for that reason.”
66. ”To ask the hard question is simple.”
67. “To be happy means to be free, not from pain or fear, but from care or anxiety.”
68. ”To pray is to pay attention to something or someone other than oneself. Whenever a man so concentrates his attention- on a landscape, a poem, a geometrical problem, an idol, or the True God- that he completely forgets his own ego and desires, he is praying... The primary task of the schoolteacher is to teach children, in a secular context, the technique of prayer.”
69. “To read is to translate, for no two persons' experiences are the same. A bad reader is like a bad translator: he interprets literally when he ought to paraphrase and paraphrases when he ought to interpret literally. In learning to read well, scholarship, valuable as it is, is less important than instinct; some great scholars have been poor translators.”
70. “War can protect; it cannot create.
71. “We are here on earth to do good to others. What the others are here for, I don't know.”
72. "We must love one another or die."
73. “We think in generalities, but we live in details.”
74. "When I am in the company of scientists, I feel like a shabby curate who has strayed by mistake into a drawing room full of dukes."
75. “When one has great gifts, what answer to the meaning of existence should one require beyond the right to exercise them?”